You’re still able to perceive stereo width using headphones, but your brain relies purely on level differences between the left and right channel to do so. The tiny time delay between a wavefront hitting your right ear and left ear when mastering on a pair of studio monitors is known as acoustic crosstalk, and helps your brain determine where elements are panned within the stereo field. If you’re using headphones, your right ear only hears the right channel, and your left ear only hears the left channel. A similar process occurs when your left speakers produces sound. When your right studio monitor produces a sound wave, the wavefront first hits your right ear, and then your left ear there’s a small time delay between these two events. There are a few critical ways in which studio monitors and headphones differ from one another. You need to check your work on both studio monitors and headphones to get the best sense of how your listeners will perceive your music. ![]() ![]() Bearing this in mind, mastering on headphones isn’t necessarily “better” than mastering on studio monitors either. ![]() The Importance of Mastering on HeadphonesĬontrary to popular belief, mastering on studio monitors isn’t necessarily “better” than mastering on headphones. We’ll be taking a look at the importance of mastering in a virtual studio, using a headphone EQ, auditioning your masters using earbuds, and checking your masters in mono.
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